Phantom Of The Casino

SYDNEY, AUSTRALIA - MAY 15:  SYDNEY, AUSTRALIA - MAY 15; Atmosphere at the after party of  the Sydney premiere of The Phantom of the Opera at the Lyric Theatre on May 15, 2008 in Sydney, Australia.  (Photo by Mike Flokis/Getty Images)

SYDNEY, AUSTRALIA - MAY 15: SYDNEY, AUSTRALIA - MAY 15; Atmosphere at the after party of the Sydney premiere of The Phantom of the Opera at the Lyric Theatre on May 15, 2008 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)

“Oh it’s so dated. It really hasn’t stood the test of time”, I heard one person say in that “theatre kinda way” at the after-show drinks last night. As I was having such a good time myself, I didn’t want to argue to toss except to say “I actually really quite liked it”. And that’s where the conversation ended.

I’ve never actually been to see a production of “Phantom Of The Opera” before, and so when the invitation came to opening night at Star City Casino, I snapped it up instantly. I was curious more than anything. On the one hand I knew “Phantom” had its fans, millions of whom had paid big bucks to see it staged previously. On the other, I knew about the famed (or infamous) chandeleir scene, I knew some of the songs though I wasn’t a huge fan of the soundtrack, and I’d read various reviews which have previously described it as an exercise in style over substance.

And while there’s probably more than a grain of truth in that, I also really bloody well enjoyed it. I thought it was visually spectacular (especially many of the transformation scenes, especially the boat scene), the singing was terrific (Anthony Warlow and Ana Maria were both tremendous), and it had lots of great sing along tunes.

At one point the bloke sitting next to me began to conduct the strings, and at another point his wife began to sing along. For just half a moment I didn’t know whether to ask her to be quiet or to join in myself. Actually, there was one moment where I found myself humming along out loud, and not just in my head. For all of the cynicism you often find in theatre circles about Andrew Lloyd Webber, I’m still quite a fan.

The plotline of course is pure nonsense. But as my friend Colin observed later in the night, “You’ve got to recognise it’s melodrama”. And once you do, and once you get caught up in the moment, you find yourself having a great night.

Phantom of the Opera

Phantom of the Opera

I thought the first half was better than the second, with more recognisable tunes, and a great sense of pace. And in all honesty, the famous chandeleir scene – where the chandeleir plummets to the ground – was a bit of a letdown. Possibly a victim of public liability insurance, the chandeleir kinda wafted down slowly, rather than dramatically as you might have expected or hoped. Minutes later, I was outside in the theatre looking down on the audience on levels below and imagined for just a moment what might have happened if a chandeleir had fallen down there, crashing heavily on those below. :)

But those minor criticisms aside I had a tremendous night. And when Anthony Warlow came out on stage for applause, he quite genuinely and deservedly received a standing ovation.

Famously, there’s a television newsreader who I often see at opening nights who usually has to leave half-way through to go to read the news. As he was sitting in the row in front of me, I noticed he was there until the very end, which presumably means he was having a good or time. Or maybe he wasn’t reading the news last night?

Phantom of the Opera

Phantom of the Opera

Celebrity-wise, I hear the former PM, Hawkie was there, as was AJ from “Biggest Loser”, though I didn’t see either. I did, however see the former Mr Kidman, Angus Hawley. And I also got to meet the new uber-cool television entertainment presenter, James Tobin. “Is this Row E?”, he said to me. “Yes, I replied”, pulling out our tickets, and very soon realising we were sitting in the wrong seats. He seemed very nice about it though, I thought. He was sitting by himself and through intermission was heavily texting someone. Guess who, don’t sue, as Ros Reines might say!

In other musical theatre news, I’m off to see “Chess” at the Theatre Royal on Saturday night. Odd in a way, because when you think about it, with “Chess”, “Phantom”, “Hawkie”, etc you can’t help but wonder if 2008 is actually 1988 all over again.

  1. Phantom of the Opera is one of my favorite musicals and I saw it in Melbourne when Anthony Warlow first did the role way back in 1990. However, I am really unsure how it is going to go moving from a big theatre to Star City. I have been to a couple of musicals over at the Lyric Theatre and have been really disappointed in the acoustics there. Also paying $120 a ticket to see it in a sub-standard theatre… well.. I am giving it a miss.

    I just wish it was playing at the Capitol or perhaps even the Royal and I was love to see Anthony Warlow as the Phantom again. That man is just too talented for his own good.

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  2. Chess! I love that musical. I hope it comes to Perth…

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  3. Riayn – I actually thought the theatre was okay. I had to laugh, though, when a woman passed us and remarked on the “good amount of leg room”. My friend Colin observed she sounded like Kim from Kath & Kim. If you can get over your concerns about the theatre and the price, Warlow is to die for. Amazing. I met him a few years ago and he was also a very nice bloke.

    Cello – It’s an amateur production only, not a touring one. I will, of course report the results of tonight on my blog.

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  4. it is realy a great show..

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  5. I was it 3 times..

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